范妮·莱的解救

范妮·莱的解救0

Fanny Lye Deliver'd / 范妮·莱德

年代2019

标签2019伦敦电影节,英国,FreddieFox,英國電影,名著改编,2019,UK,Thriller,History,Drama

分类欧美电影

导演托马斯·克雷

主演玛克辛·皮克,查尔斯·丹斯,弗莱迪·福克斯,塔尼娅·雷诺兹

在线播放

《范妮·莱的解救》 的剧情介绍

Shooting has wrapped on Fanny Lye Deliver’d, a period drama starring Maxine Peake (The Theory of Everything), Charles Dance (Game of Thrones) and Freddie Fox (The Riot Club). The cast also includes Tanya Reynolds in her first feature film role and Peter McDonald (The Stag). Shot over ten weeks on location in Shropshire, England, the film is written and directed by Thomas Clay and produced by Zorana Piggott (Couple In A Hole), Rob Cannan (The Lovers and the Despot) and Philippe Bober. The late Joseph Lang, Clay’s long-time producer, receives a posthumous producing credit. Set in 1657 on an isolated farm in Shropshire, the story follows Fanny Lye (Peake) as she learns to transcend her oppressive marriage and discovers a new world of possibility. Living a life of puritan stricture with husband John Lye (Dance) and young son Arthur, Fanny Lye’s world is shaken by the unexpected arrival of two strangers in need - a young couple (Fox, Reynolds) closely pursued by a ruthless sheriff (McDonald) and his deputy. “Fanny Lye Deliver’d is a unique and compelling historical drama, closer in spirit to a western, or a modern thriller, than a traditional English period piece”, said producer Piggott. “First and foremost it is a gripping story, a simple, exciting narrative brought to life with incredibly powerful and compelling performances and Thomas’ unique vision.” It marks Clay’s third feature film. His debut, The Great Ecstasy of Robert Carmichael, screened at Cannes’ Critics’ Week in 2005 while his follow-up, Soi Cowboy, shot on location in Thailand, premiered at Cannes in Un Certain Regard in 2008. A Pull Back Camera production in co-production with Essential Filmproduktion (Germany), Fanny Lye Deliver’d is funded by the BFI, Creative England and the West Midlands Production Fund with support from Filmstiftung NRW, Medienboard Berlin Brandenburg and ZDF. Coproduction Office is handling world sales.

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《范妮·莱的解救》 的影评

呆萌喵星人D

/LFF P&I/也就还行吧,更适合做一个舞台剧而不是电影。空间感过分结构化,缺了些意思。

2019-10-12 19:37
Dear deer

@IFFR 电影植入的概念还有点意思,Fanny角色扮演的表演也比较有说服力,但情节的几处转折要么失去悬念,要么转折生硬,就像另一条短评说的,如果放在舞台上演出效果会更好。以及,现在用胶片拍电影又是复古新浪潮了?

2020-01-29 07:31
阿哲系

#43/LFF,35mm全球首映,前半段被影像,音乐,表演,服化道一同呈现的年代感惊呼所以,仿佛是在看封存了半世纪,调度又很现代的作品,以为在目睹《卡斯帕尔·豪泽尔之谜》的诞生,但是正期待剧情发展,角色有些觉醒时,电影却走向昆汀的暴虐路线,强度又远不如昆汀,倍感遗憾。 Ps:开场前一位女士坐在我的座位上,看到我后连忙道歉,她说她是想跟右边的父亲坐在一起,我说没问题,可以换座位,但她左边还有一位男伴,因为不知该座位是否还有人来他们就放弃了,后发现,女的是片中男主的姐姐Emilia fox(出演《钢琴家》),旁边是男主父亲爱德华(BAFTA得主),竟坐在了(先前不知)在英国赫赫有名的fox演艺世家当中,听了下八卦,家人较担心女士新交的男伴(主要是对其前男伴很失望)。。。

2019-10-17 00:44
王写写

舞台剧风格,殖民主义背景,女性主题

2020-01-31 12:49

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